In the program for BLEED I have stated that I will post these author’s notes on the blog as a...
Blog 
Requiem ascending
There are other worlds…worlds in which recognition is not the only barometer of brilliance or human worth… there are other...
Regarding SECRET MARY
Below are excerpts from an interview that Jenn and I engaged in earlier this spring. When we started working on...
The Hudson Movement
This is a piece I wrote that was published in the Performance Journal #41. I thought I would post it...
Crowded rooms
Everything is the same except composition and as composition is different and always going to be different everything is not...
Blog Intro
We have developed BLEED as a way to record the process of constructing Tere’s next project. We invite you to...
To reach you
Speaking near the end of the third interrogation, Gabriel Rivera describes witnessing poem as an “arrival… of being moved… it...
distant proximities
10.17.12. The morning after the interrogation… Standing at the ballet barre, the dancers run to the mirror turn, almost swoon and...
near to the wild
Because, as mild and sweet as daybreak in a wood, inspiration was born…Then she made up what she should say....
Week Four-ish
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Week Four-ish
This is some material that relates to some of what I talk about regarding structure in the post Week Four-ish...
line video
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line video
These are some fabrics that are either graphically or ideologically born of the “line” concept I talk about in the...
video week three
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video week three
I am starting to use velocity as a way of altering material. Nothing seems to come out at the speed...
Video First Week
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Video First Week
This is material we made in the first week of the process for Dance 2 at NYLA for Nov 2012....
Secret Detonators
The writing that follows reflects my own provisional thoughts, interruptions, assemblages of materials from three events with choreographer Tere O’Connor:...
