Artist’s Notes

In the program for BLEED I have stated that I will post these author’s notes on the blog as a...

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Requiem ascending

There are other worlds…worlds in which recognition is not the only barometer of brilliance or human worth… there are other...

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Regarding SECRET MARY

Below are excerpts from an interview that Jenn and I engaged in earlier this spring. When we started working on...

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The Hudson Movement

This is a piece I wrote that was published in the Performance Journal #41. I thought I would post it...

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Crowded rooms

Everything is the same except composition and as composition is different and always going to be different everything is not...

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Blog Intro

 We have developed BLEED as a way to record the process of constructing Tere’s next project. We invite you to...

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To reach you

Speaking near the end of the third interrogation, Gabriel Rivera describes witnessing poem as an “arrival… of being moved… it...

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distant proximities

10.17.12. The morning after the interrogation… Standing at the ballet barre, the dancers run to the mirror turn, almost swoon and...

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near to the wild

Because, as mild and sweet as daybreak in a wood, inspiration was born…Then she made up what she should say....

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Week Four-ish

video

This is some material that relates to some of  what I talk about regarding structure in the post Week Four-ish...

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line video

video

These are some fabrics that are either graphically or ideologically born of the “line” concept I talk about in the...

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video week three

video

I am starting to use velocity as a way of altering material. Nothing seems to come out at the speed...

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Video First Week

video

This is material we made in the first week of the process for Dance 2 at NYLA for Nov 2012....

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Secret Detonators

The writing that follows reflects my own provisional thoughts, interruptions, assemblages of materials from three events with choreographer Tere O’Connor:...

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