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	<title>Comments on: week two</title>
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		<title>By: haoyu@xvideodownloader</title>
		<link>http://bleedtereoconnor.org/sept-3-2012/#comment-24748</link>
		<dc:creator>haoyu@xvideodownloader</dc:creator>
		<pubDate>Sun, 08 Nov 2026 15:29:24 +0000</pubDate>
		<guid isPermaLink="false">http://bleedtereoconnor.org/?p=200#comment-24748</guid>
		<description>The comparison between building a fort as a boy and making dance is a striking way to describe how anticipation can outpace the actual material. The idea that each day’s work exists to point the mind in a direction, rather than to be preserved, feels like an honest account of a process where impermanence is built in. It’s interesting that the disappointment is reframed not as failure but as part of the drama between the imagined and the actual.

&lt;a href=&quot;https://xvideodownloader.best/&quot; rel=&quot;nofollow&quot;&gt;xvideodownloader&lt;/a&gt;</description>
		<content:encoded><![CDATA[<p>The comparison between building a fort as a boy and making dance is a striking way to describe how anticipation can outpace the actual material. The idea that each day’s work exists to point the mind in a direction, rather than to be preserved, feels like an honest account of a process where impermanence is built in. It’s interesting that the disappointment is reframed not as failure but as part of the drama between the imagined and the actual.</p>
<p><a href="https://xvideodownloader.best/" rel="nofollow">xvideodownloader</a></p>
]]></content:encoded>
	</item>
	<item>
		<title>By: zhaoxidui</title>
		<link>http://bleedtereoconnor.org/sept-3-2012/#comment-24606</link>
		<dc:creator>zhaoxidui</dc:creator>
		<pubDate>Sat, 07 Nov 2026 00:51:08 +0000</pubDate>
		<guid isPermaLink="false">http://bleedtereoconnor.org/?p=200#comment-24606</guid>
		<description>The fort metaphor makes the gap between imagined and actual feel generative rather than simply disappointing, and framing the material as a temporary container for shifting intentions and projections captures why the work can’t be fixed in place.

&lt;a href=&quot;https://fngauge.space/&quot; rel=&quot;nofollow&quot;&gt;fngauge.space&lt;/a&gt;</description>
		<content:encoded><![CDATA[<p>The fort metaphor makes the gap between imagined and actual feel generative rather than simply disappointing, and framing the material as a temporary container for shifting intentions and projections captures why the work can’t be fixed in place.</p>
<p><a href="https://fngauge.space/" rel="nofollow">fngauge.space</a></p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Hongxiang Zhao</title>
		<link>http://bleedtereoconnor.org/sept-3-2012/#comment-24508</link>
		<dc:creator>Hongxiang Zhao</dc:creator>
		<pubDate>Thu, 05 Nov 2026 20:46:30 +0000</pubDate>
		<guid isPermaLink="false">http://bleedtereoconnor.org/?p=200#comment-24508</guid>
		<description>Aside from week two, a clear portrait can become a 10-second clip with this Rumpelstiltskin dance generator. It is paid credits, not a free plan: https://www.rumpelstiltskinai.art</description>
		<content:encoded><![CDATA[<p>Aside from week two, a clear portrait can become a 10-second clip with this Rumpelstiltskin dance generator. It is paid credits, not a free plan: <a href="https://www.rumpelstiltskinai.art" rel="nofollow">https://www.rumpelstiltskinai.art</a></p>
]]></content:encoded>
	</item>
	<item>
		<title>By: yalin</title>
		<link>http://bleedtereoconnor.org/sept-3-2012/#comment-24369</link>
		<dc:creator>yalin</dc:creator>
		<pubDate>Wed, 04 Nov 2026 12:16:52 +0000</pubDate>
		<guid isPermaLink="false">http://bleedtereoconnor.org/?p=200#comment-24369</guid>
		<description>The fort metaphor captures how anticipation can outpace the actual work, and the idea of material as a container for shifting ideas, expectations, and projections feels like the heart of the process you’re describing.

&lt;a href=&quot;http://ported2browser.sbs/&quot; rel=&quot;nofollow&quot;&gt;ported2browser.sbs&lt;/a&gt;</description>
		<content:encoded><![CDATA[<p>The fort metaphor captures how anticipation can outpace the actual work, and the idea of material as a container for shifting ideas, expectations, and projections feels like the heart of the process you’re describing.</p>
<p><a href="http://ported2browser.sbs/" rel="nofollow">ported2browser.sbs</a></p>
]]></content:encoded>
	</item>
	<item>
		<title>By: yuanping</title>
		<link>http://bleedtereoconnor.org/sept-3-2012/#comment-24339</link>
		<dc:creator>yuanping</dc:creator>
		<pubDate>Wed, 04 Nov 2026 02:35:28 +0000</pubDate>
		<guid isPermaLink="false">http://bleedtereoconnor.org/?p=200#comment-24339</guid>
		<description>The fort story makes the gap between anticipation and reality feel very concrete: the material that seemed charged one evening can feel inert when you return, yet the article frames that letdown as part of how the dance actually takes shape.

&lt;a href=&quot;https://theendlessdivegame.sbs/&quot; rel=&quot;nofollow&quot;&gt;theendlessdivegame.sbs&lt;/a&gt;</description>
		<content:encoded><![CDATA[<p>The fort story makes the gap between anticipation and reality feel very concrete: the material that seemed charged one evening can feel inert when you return, yet the article frames that letdown as part of how the dance actually takes shape.</p>
<p><a href="https://theendlessdivegame.sbs/" rel="nofollow">theendlessdivegame.sbs</a></p>
]]></content:encoded>
	</item>
	<item>
		<title>By: chenlinlin</title>
		<link>http://bleedtereoconnor.org/sept-3-2012/#comment-24258</link>
		<dc:creator>chenlinlin</dc:creator>
		<pubDate>Tue, 03 Nov 2026 03:34:26 +0000</pubDate>
		<guid isPermaLink="false">http://bleedtereoconnor.org/?p=200#comment-24258</guid>
		<description>The fort metaphor captures that gap between anticipation and reality well—especially the idea that material is transitional and gets erased by each next moment. Framing disappointment as part of the form, rather than a failure, makes the process feel honest.

&lt;a href=&quot;https://wasmarcade.sbs/&quot; rel=&quot;nofollow&quot;&gt;wasmarcade.sbs&lt;/a&gt;</description>
		<content:encoded><![CDATA[<p>The fort metaphor captures that gap between anticipation and reality well—especially the idea that material is transitional and gets erased by each next moment. Framing disappointment as part of the form, rather than a failure, makes the process feel honest.</p>
<p><a href="https://wasmarcade.sbs/" rel="nofollow">wasmarcade.sbs</a></p>
]]></content:encoded>
	</item>
	<item>
		<title>By: wortb</title>
		<link>http://bleedtereoconnor.org/sept-3-2012/#comment-24207</link>
		<dc:creator>wortb</dc:creator>
		<pubDate>Mon, 02 Nov 2026 07:41:09 +0000</pubDate>
		<guid isPermaLink="false">http://bleedtereoconnor.org/?p=200#comment-24207</guid>
		<description>The fort analogy captures that gap between anticipation and the actual thing so well, and it’s interesting how you frame that disappointment as productive in dance-making rather than as a failure.

&lt;a href=&quot;https://wortb.com/&quot; rel=&quot;nofollow&quot;&gt;wortb.com&lt;/a&gt;</description>
		<content:encoded><![CDATA[<p>The fort analogy captures that gap between anticipation and the actual thing so well, and it’s interesting how you frame that disappointment as productive in dance-making rather than as a failure.</p>
<p><a href="https://wortb.com/" rel="nofollow">wortb.com</a></p>
]]></content:encoded>
	</item>
	<item>
		<title>By: xiaoguoer</title>
		<link>http://bleedtereoconnor.org/sept-3-2012/#comment-24026</link>
		<dc:creator>xiaoguoer</dc:creator>
		<pubDate>Thu, 29 Oct 2026 09:22:51 +0000</pubDate>
		<guid isPermaLink="false">http://bleedtereoconnor.org/?p=200#comment-24026</guid>
		<description>The fort metaphor captures something precise about dance-making: the imagined version is always more complete than what can be repeated in the studio. The post frames that disappointment not as failure but as the drama that shapes the work, which makes the fleeting nature of the material feel productive rather than simply frustrating.

&lt;a href=&quot;https://gtabrowsergame.sbs/&quot; rel=&quot;nofollow&quot;&gt;gta browser game&lt;/a&gt;</description>
		<content:encoded><![CDATA[<p>The fort metaphor captures something precise about dance-making: the imagined version is always more complete than what can be repeated in the studio. The post frames that disappointment not as failure but as the drama that shapes the work, which makes the fleeting nature of the material feel productive rather than simply frustrating.</p>
<p><a href="https://gtabrowsergame.sbs/" rel="nofollow">gta browser game</a></p>
]]></content:encoded>
	</item>
	<item>
		<title>By: first-rate</title>
		<link>http://bleedtereoconnor.org/sept-3-2012/#comment-22565</link>
		<dc:creator>first-rate</dc:creator>
		<pubDate>Thu, 08 Oct 2026 12:47:06 +0000</pubDate>
		<guid isPermaLink="false">http://bleedtereoconnor.org/?p=200#comment-22565</guid>
		<description>This captures something true about the gap between the imagined version of a work and what actually exists in the room. The fort comparison makes it vivid, and the idea that the material is transitional rather than permanent feels like the real insight here.

&lt;a href=&quot;https://freezetagmeaning.click/&quot; rel=&quot;nofollow&quot;&gt;FreezeTag&lt;/a&gt;</description>
		<content:encoded><![CDATA[<p>This captures something true about the gap between the imagined version of a work and what actually exists in the room. The fort comparison makes it vivid, and the idea that the material is transitional rather than permanent feels like the real insight here.</p>
<p><a href="https://freezetagmeaning.click/" rel="nofollow">FreezeTag</a></p>
]]></content:encoded>
	</item>
	<item>
		<title>By: he liu</title>
		<link>http://bleedtereoconnor.org/sept-3-2012/#comment-22508</link>
		<dc:creator>he liu</dc:creator>
		<pubDate>Wed, 07 Oct 2026 13:11:34 +0000</pubDate>
		<guid isPermaLink="false">http://bleedtereoconnor.org/?p=200#comment-22508</guid>
		<description>The gap between the imagined fort and the real one feels like an honest way to describe how a dance can only be judged after stepping away from it. The point that the material can&#039;t carry meaning on its own, because each next moment erases it, seems like the real tension the process is built around.

&lt;a href=&quot;https://www.startbuildingweb.com/&quot; rel=&quot;nofollow&quot;&gt;模板库推广&lt;/a&gt;</description>
		<content:encoded><![CDATA[<p>The gap between the imagined fort and the real one feels like an honest way to describe how a dance can only be judged after stepping away from it. The point that the material can&#8217;t carry meaning on its own, because each next moment erases it, seems like the real tension the process is built around.</p>
<p><a href="https://www.startbuildingweb.com/" rel="nofollow">模板库推广</a></p>
]]></content:encoded>
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