http://bleedtereoconnor.org/blog-intro/?utm_source=rss&utm_medium=rss&utm_campaign=blog-intro Tue, 09 Jun 2026 09:43:16 +0000 hourly 1 http://wordpress.org/?v=3.4.2 http://bleedtereoconnor.org/blog-intro/#comment-15800 Anonymous Fri, 08 May 2026 23:52:43 +0000 http://bleedtereoconnor.org/?p=172#comment-15800 p4jd0q p4jd0q

]]> http://bleedtereoconnor.org/blog-intro/#comment-12771 Anonymous Sun, 01 Mar 2026 23:01:48 +0000 http://bleedtereoconnor.org/?p=172#comment-12771 xtf6kl xtf6kl

]]> http://bleedtereoconnor.org/blog-intro/#comment-12224 Anonymous Mon, 16 Feb 2026 02:24:57 +0000 http://bleedtereoconnor.org/?p=172#comment-12224 qrayst qrayst

]]> http://bleedtereoconnor.org/blog-intro/#comment-8 Marija Krtolica Thu, 13 Sep 2012 14:02:21 +0000 http://bleedtereoconnor.org/?p=172#comment-8 It is wonderful that the clear-cut boundaries between theory and art-making are being destabilized in such a poetic, skillful manner. I am really excited about witnessing the development of this collaboration. When Tere writes about the formal aspects of art making as being shun by many contemporary authors I am propelled to ask few open-ended questions. What kind of relationships can artists’ actively working in today’s society have to the history (I am thinking primarily of the history of ideas and ideological constructs) of separation between form and content, outside and inside, natural and artificial? How do we see art aesthetically , how much formalism in this day and age is really our attempt to perceive organized patterns, and is so-called authentic contingent on the existential desire to have moments of pure experience? It is wonderful that the clear-cut boundaries between theory and art-making are being destabilized in such a poetic, skillful manner. I am really excited about witnessing the development of this collaboration. When Tere writes about the formal aspects of art making as being shun by many contemporary authors I am propelled to ask few open-ended questions. What kind of relationships can artists’ actively working in today’s society have to the history (I am thinking primarily of the history of ideas and ideological constructs) of separation between form and content, outside and inside, natural and artificial? How do we see art aesthetically , how much formalism in this day and age is really our attempt to perceive organized patterns, and is so-called authentic contingent on the existential desire to have moments of pure experience?

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